The Of Course
Table of Contents
Learn what the term The Of Course really means.
The sex basics are applied to the Course. Some are important, then again, some are not.
These are the secrets moves that create sexual compression. The female learns how and when to squeeze; the male manages her selected tension.
The Course Complete
The exact moves are laid out line by line. This leaves no doubt in what is expected to complete the first course.
Final Course Thoughts
A few important things to think about after the first course is completed.
The Tree icon clicks to the Table of Contents.
Footnotes click to the Bibliography.
The Of Course gets its name from the Latin word, currere, meaning to run, and the word of is a play on the word love. The phrase of course means: in the natural or expected order of things. A course designed for love making. There is a more sarcastic meaning—of course you knew this! The author likes that one the best.
The Course can be compared to learning a secret martial art like Judo. Nobody will know unless they fight you, and in this case, nobody will know unless they have sex with you. Unique to this body of work, the practitioner masters the male compression cycle.
Sexual compression is analogous to holding a glass: too much pressure and the glass breaks, or not enough pressure and the glass slips and falls from the hand. The Course sets a contract between the male and female. Vaginal moves are set to create a "tightening of the screws" of sexual compression. Meanwhile, the male manages the sexual tension and seeks a dynamic course.
In accordance with this, the Course seeks a divergence of sexual character. Therefore a man has sex like a man and a female has sex like a female. The sex moves are also dissimilar, and in this sense, the male creates a tolerance to the female's selected tension. The resolution of these two diametrically opposed forces creates the compression cycle.
In his ground breaking work, Flow: The Psychology of Optimal Experience, Mihaly Csikszentmihalyi attempted to prove that flow was created when skill levels met challenges.1 In doing so, the brain achieved a sense of well being, happiness, or flow. The Of Course attempts to raise skill levels and challenges to likewise achieve mental flow.
There is no right way or wrong way to have sex, only a skilled and less skilled. If the skilled path is chosen then there are rules. The Of Course is possibly the only sex manual extant with discernible limits. If these limits are breached, then there are definite consequences. Therefore, the Course creates a person skilled in the boundaries of love play.
Unfortunately, sex is a game with nebulous borders, and a skilled tactician has an unfair advantage over a sexual neophyte. I am your Course master, and I mean you no harm. However, if you are a sexual predator that likes to ensnare your victims with devices, then I hope you are hoist with your own petard.
I set off the previous bomb to challenge your Course perspective. Most people are good though and just want to learn better things. I hope you're one of them—Good Luck!
In The Of Course, you will find the development of skills needed to complete your first course. The next chapter, THE BASICS, shows how the sex basics apply to the Course. Chapter three contains THE SECRETS. These are the secret moves used to control the limits of sexual compression. Chapter four lays out THE COURSE COMPLETE. The exact moves spelled out for you and your lover to adeptly finish the first course. Chapter five is called FINAL COURSE THOUGHTS. Once the first course is completed, here are a few important things to think about.
The ADVANCED Chapter is beyond the skill level of the Course novice. Omit that information from the first course. Those moves could cause the opposite of the desired effect.
Finally, the original Course creator hopes this is imparted to the course you create with others. The Of Course creates strength and competence not fear and apprehension. Build your lover as strong as possible and the reward will be great. Don't hold anything back and you will live a life without sexual want. The Of Course has paid me back a thousand times over and it's my pleasure sharing it with you.
The first question is: why do we need a sex basics chapter anyway? Why not skip this Chapter and go straight to THE SECRETS? There the Course will have terms that need to be defined as basics. Also, THE BASICS help shape Course perspective. Many of these concepts are essential, but some are not.
These sex basics are:
- The sexual response curve
- The female sex member
- The male sex member
- Sexual breathing
- PC muscle
- Pelvic rocking
- Stroke speed
- Stroke construct
- "The orgasm"
The sexual response curve
Sex produces elevated states of arousal, and sexologists measure that arousal on the x-y axis. The male curve has a consistent pattern. The line quickly rises from the x-axis and levels out. After a set period of stimulation the line quickly rises. The male passes "the point of no return" and has an orgasm. The line rapidly returns toward the x-axis.
On the other hand, the female sexual response curve takes longer to rise from the x-axis. Her response curve plateaus during sex, and takes longer to return to the x-axis. Sexologists have established a firm sexual fact, 75% of all women polled never climax during vaginal sex.
From the Course perspective the most important thing that can be gleaned from these two curves is: the male curve will always dominate the female curve. For if the male has an orgasm the female is left without a sexual partner.
The female sex member
The female vagina is defined as a muscle that can flex, twist and torque during sex.
The vagina has four well defined zones:
Zone 1: The labia, or lips
Zone 2: The vaginal barrel
Zone 3: The top
Zone 4: The tip
The female controls these four zones during sex to act upon the male's corresponding zones.
The male sex member
The male penis is defined as a ligament that can also flex during sex.
The penis has four corresponding zones:
Zone 1: The base
Zone 2: "The hump"
Zone 3: The foreskin
Zone 4: The penis head
The most significant of these four zones, from the Course standpoint, is Zone 2—"the hump". This erogenous zone centers male compression. The hump can be identified by pinching off Zone 1 and Zone 3. Move the pinch points toward the center. The bubble of blood captured in the middle is called "the hump". Mentally place a red "X" in the middle of the work. The Course admonishes the female not to impede the hump intra-course. The reason being:
The male has greater stroke rhythm.
The tension could cause the male to orgasm.
Moving faster now, sex produces elevated respiration and heart rate. In order to control the natural sex environment, sex texts propose sexual breathing exercises. The Of Course does not understand the nature of such teaching. Give into the forces within the sex environment: thrust and counter-thrust with a powerful Ugh and Oon! Don't try to parse, sublimate or otherwise raise these desires to a higher power, because there isn't any!
To improve the "natural" rocking motion, sex texts prescript pelvic rocking exercises. The basic pelvic rocking may be limiting from the Course standpoint. Therefore, the text offers a correcting solution.
The supine male is opposed by a prone female atop. The male fills a big barrel chest with air; the female arches her back and raises her nipples and pelvis. He issues a command—"Hips down, breasts down." The male begins to exhale, and the female pushes her breasts down to expel the air. Simultaneously, she presses her clitoris down and into the male body. The two repeat the process with the next breath of air.
The next exercise reverses the previous text. The male fills a large belly of air; the female presses her genitals and breasts into the male. He then expels the air with the command—"Hips up, breasts up." The female arches her back and pushes her belly into the male. Her breasts and pelvis move up. Again, the process is repeated with the next breath.
These are the precise exercises to control the spine and pelvis during the Course. They will serve you well.
The subtle argument with the PC muscle is: sex duration is not long enough for the female to reach climax. Therefore, a little known muscle on the pelvic floor is used as a panacea for many sexual ailments. Sexologists state firmly, "Strengthen the PC muscle for rock hard erections."
The PC muscle or pubococcygeus is a small muscle between the anus and the genitals. The Of Course uses the muscle differently. When the male twinges, he totally relaxes the muscle, and for that matter, every other muscle in the lower body. Consequently, the pumping exercises to strengthen the muscle—totally superfluous.
This one concept places gynecologist and sexologists at odds. The reason being, there is no consensus that the G-spot exists. The spot is named for a researcher in the 1940's, Ernst Grafenberg. He proposed: vaginal orgasms could originate from within the anterior wall of the vaginal barrel.
In terms of The Of Course, simply, no G-spot maneuvers are defined or practiced.
The precise act of mounting is a crucial step and requires technical skill. Therefore, the text spells out each move:
- The supine male prepares to receive the female; the female kneels tightly next to the male's torso.
- The female's down body knee travels to the other side and positions astride the male torso.
- The female kneels erect straddling the male.
- The male "pops up" his knees to receive the female's hands.
- He grips his penis base and presents his erection to her.
- The female places her hands on the male's knees and descends to grip the penis head with her labia.
- She slides Zone 1 over the male hump (Zone 2).
- The male removes his hand from his base.
- The female proceeds directly to CHAPTER THREE SECRETS—"strip the bone".
This is a perfect course mount. Don't change a word.
The Course has maneuvers staged at lesser stroke speeds while others are staged at much higher speeds. Therefore, THE BASICS must define exactly what stroke speed is. Speed one is about one second, or the duration of one heartbeat. One complete stroke cycle: the entry stroke, and the exit stroke. The heart beats lub, lub. Speed two has two complete stroke cycles per heartbeat (lub, lub). The fastest speed in the Course is speed three, and is staged at a portion in the Course called "Bounce".
The female sets an invisible pathway to send the stroke on its way. This is stroke construct. When done skillfully, the stroke construct can change instantaneously without missing a beat. Also, the penis will travel the path of least resistance; therefore, vaginal tension defines this secret pathway.
The male orgasm
There is one sex basic that all sex experts can agree upon: the point of no return. Once the participants have crossed this threshold then the male will orgasm.
This Course threshold should not be a surprise to the female because there are clear warning signs. The male has symptoms of "heaviness"—the muscles of the lower body tighten, his stroke rhythm changes, and the legs descend. After a few strokes of heaviness the male "twinges", an involuntary spasm of the sex organ. He soon crosses the "the point of no return". The Of Course stages two orgasms: a mini-orgasm and a powerful orgasm at the end.
The mini-orgasm is staged at the beginning of the Course and is used to bleed off early sexual energy. The female must adeptly ease the male into the mini-orgasm; meanwhile, the male must fight the urge to let go. She adeptly applies a wide vaginal barrel and waits; he ripples out the pre-ejaculate. After this is successfully accomplished, the Course can continue.
The Of Course is designed as a long compression count: it is continuous and uninterrupted. The second of these two orgasms is at the end, and there, the female desires to over-compress the male. Like written above, the male's lower body will tighten, his legs descend, and he begins to struggle to fight the effects. He twinges; she senses the initiative and continues stroking. He passes the point of no return, and she strokes two or three more times. The male explodes into a powerful orgasm.
The Of Course sine qua non is S.O. or strong orgasm. This is her reward. However, if the participants mismanage these two orgasms, then the male could have a "natural" or weak orgasm (W.O.). This is not the end of the world, be nonjudgmental, and correct the mistakes in the next course.
The female orgasm and conclusion
Firmly and unequivocally, The Of Course has nothing to do with the female orgasm. Foremost, sex success from the Course standpoint is derived from the powerful orgasm at the end of the male's compression cycle. The total of the female's vaginal efforts are directed to that end.
Unapologetically, The Of Course is a wham, bam, thank you ma'am western style of lovemaking. No attempt is made for extended love play. The PC muscle is not plumped so the male can achieve multiple orgasms. The G-spot is not located so it can be successfully stimulated. No effort is made to indirectly stimulate the clitoris.
Nothing stated within these lines will change this one immutable law: few females experience vaginal orgasms.
The strength of this text is founded upon the fact that men and women will produce earth shaking orgasms every time. These strong orgasms begin to accumulate over a series of courses. This leads to a psychological sense of well being and a permanent feeling—"you're good in bed." The previous is the best sex basic this chapter can impart.
The Of Course is beginning to take shape. The next chapter reveals the secret sex moves used within the Course. The female learns how and when to squeeze; the male discovers how to manage her selected tension.
The secret moves in this section act upon the male's sexual compression cycle. Once it has begun, it can't be turned off. Furthermore, the Course has set in motion two opposing forces. The female uses vaginal moves to increase male tolerance and create sexual compression; the male develops tolerance, fights off the effects of W.O., and drives toward a powerful orgasm. In other words, the female must squeeze and the male must create a level stroke construct.
To have a successful course, the female wants to influence but not directly act upon the male hump (Zone 2). Constricting the movement of "the hump" will affect the male's straight line stroke speed.
The male's compression cycle begins in foreplay. The female can use her hands to perform the next two items, but they don't slide nearly as well.
Fellatio is often performed before sex to get the male aroused. The Of Course fellatio technique is used to create tolerance. The first of the two techniques is directed into the penis ligament; the second is a shallow stimulation of the penis skin. The female alternates between the two moves until the male reaches maximum compression and tolerance. When she feels that her work is complete, and that the male can complete the Course, she moves to the next technique in the text.
Thumping the hump
Grip firmly the base (Zone 1) with thumb and forefinger. Next, press forcefully the lips into Zone 3 (the foreskin). Push the stroke down into Zone 2 (the hump). Release the grip and return the lips softly to Zone 3. Repeat the process until the male develops a "heavy" feeling. Discontinue the technique and move on to the next item.
This action unravels the previous text. The female desires to defuse the sexual energy and decompress the work she has just done. With long strokes and soft lips she keeps her action upon the penis skin. She does so until the male has released his tension. The move called "Zippa" (later in this section) can be inserted here now. When she is satisfied with the decompression count she returns to the previous item in the text.
Secretly the female has just begun the compression cycle. Decompression is extremely important: for if the male can't loosen up, he will reach a new state. Painfully erect or p.e. happens in the Course when the male is caught in a cycle of over-compression. This involuntary state invariably leads to W.O. or weak orgasm.
She switches between the two items of text until the penis is stiff and non-flexing. Then, even more pressure will be applied to the process.
Popping the top
The female makes an "OK sign" and applies it to the male base (Zone 1). This move immediately constricts the blood in the hump (Zone 2). She places another "OK sign" adjacent the first. Firmly, she tightens both OK signs. Now, with her top hand she tightens the middle finger, the ring finger, pinky finger—"Ouch!" The action forces blood into the penis head (Zone 4). Be mindful not to burst the capillaries, the blood is under extreme pressure.
She can now fluff out her work with her hands or lips. After this, repeat "popping the top" one more time. The penis is now ready for the rigors of the Course. Proceed to the Basics mounting technique and prepare for the next item.
strip the bone
This move has been successfully adapted from Margo Anand's book The Art of Sexual Ecstasy.2 There, it was used to get the male "back up" for extended love play. One hopes a Course female is never placed in that position.
The maneuver begins in Zone 1 (the labia). The female constricts her lips and pulls up against the exit stroke. The tension moves from Zone 1 (the base) toward Zone 2 (the hump). At the bottom of the exit stroke, she releases her tension and allows the entry stroke. Pull up, release, reset.
Strip the bone forces blood into the hump. That is the desired effect. The female continues the move until it has satiated itself (usually five to ten strokes). Then she moves to the next technique.
This is a powerful tool in the hands of a proficient Course female. "G" is staged in Zone 3 (the vaginal top), and adds top-down pressure. Like "strip the bone", "G" desires to act upon the approaching stroke.
The female constructs an imaginary ring within Zone 3. She tightens the ring and forces the tension from Zone 4 (the head) toward Zone 2 (the hump). The penis encounters the tense spot and foreskin is stretched. Lightly formed tension is a shallow stimulation of the foreskin (Zone 3).
When the female firmly increases the tension in Zone 3 a new stroke construct develops…
As the tension increases, the two bodies literally begin to Rock. The female's actions are now pressing toward the hump. The penis reaches the tense spot and has to ram through. This technique is used to develop a "heavy" feeling. When the female has created maximum compression she backs off with a lighter and longer fluffing technique.
What if the female is skilled enough to combine two moves during the same stroke cycle? One Course female did just that…
This is the only compound move in this section, for obvious reasons. The female sets her actions to "G" on the entry stroke; on the exit stroke she pulls up with "strip the bone". Easier said than done, this is a real "pat your head" and "rub your tummy" type of move. Maybe Scoop was sent from the devil to foil our day, but it does form a seamless transition between the two moves in this section.
Here are a few pointers for this complex maneuver. The female should attempt to briefly hit the top and bottom of the stroke. Then, when the timing is right, she can move her actions into the stroke. Next, the male maintains a deliberate stroke rhythm and locks the stroke into the top and bottom positions. This gives the female time to execute both moves. Also, the pressure is all on her, so be nonjudgmental. Finally, if the female is struggling, simply move to the next technique. She'll get it.
The attitude in the previous paragraph is the true meaning of The Of Course. After a few courses nobody remembers the difficult situations, instead, they say—"Of course I can do that."
This technique also originates in Zone 3 (the vaginal top). Make a cow milking hand: curl the index finger, middle finger, the ring finger in succession. Apply this visualization to the vaginal top. There, the action works upon exit stroke. The female is gently squeezing the foreskin on the way out. She then resets the action to work on the next exit stroke.
Zippa is adeptly applied after the mini-orgasm at the beginning of the Course. She waits, so the male doesn't W.O. Next, she gently zippas out the fluid, and allows the male to regain his prowess.
This stroke construct allows the female to actively deflect the male's straight line stroke. Remember that the penis's pathway is set by vaginal tension. In this sense, the male stroke will be deflected away from vaginal strength.
The first deflection is Zone 3 anterior (front wall) pressure. This tension deflects the penis to the back wall. With this thought implanted, the female applies Zone 3 back pressure to the next stroke, and the penis deflects forward. Certainly, the female can deflect the penis back and forth or side to side based upon her desired tension.
The simple Course deflect is at the top of many compound maneuvers. For example, the advanced decompression move Swivel is classified as a breaking maneuver. The female uses Zone 1 and Zone 3 pressure to bend the male hump.
That being said, the female should not attempt Swivel in her first course(s). The decompression could lead to disaster. Instead, practice the basic Course deflect and maneuver the construct back and forth. Allow the male to briefly decompress and continue with a compression count.
Tickling the chin
Building upon the basic Course deflect, the next move leads to a new tension. The female focuses Zone 3 back pressure on the same penis area. Underneath the penis head is a place called "the chin". The vaginal tension contacts the same spot on each entry stroke.
From this standpoint, the successive strokes can have a level tension, an increasing tension, or decreasing tension. This is a subtle form of stimulation and is favored by soft love makers. Tickling the chin directly leads to the advanced construct "When Two Become One".
Twist the cap
This simple maneuver adds twisting or torque to the Course. Moreover, the male is then convinced the vagina can actively twist around the entry stroke. The move develops in Zone 3 (the vaginal top). The female engages the depth of the male stroke by pushing vaginal tension down and then to the right. She resets the action for the next entry stroke, and applies tension down and to the left.
The tension should impart the feeling of twisting a bottle cap. In accordance with this, the female is giving the impression she is acting around the stroke. Twist the cap is used at the top of the compound move "Rock the Boat". Therefore, it would be unwise to omit this basic move.
This is the speed limit of the Course, and for that matter, any other sex course. The female positions her torso erect upon the male pelvis. She may also place her hands on his knees (quickly recall the mounting text). First, she strokes at speed one, then rapidly increases her speed. At speeds that exceed two she literally begins to "bounce". She continues the action at speed three. Also, her vaginal tension is light, so she does not over-stimulate the male. With that, Bounce allows the male to relax into vigorous stimulation.
When the male has reached the limit of his endurance, he gains the stroke lead and signifies the end of the session by thrusting as fast as he can. He then slows the action to speed one and the female uses a fluffing technique, zippas, or rocks back and forth with the basic Course deflect. The two bounce again.
If the female is orgasmic, she may wish to stage her orgasm here. However, and this is important, Bounce is not designed for that purpose. Over a series of courses, Bounce creates a tolerant Course male. In accordance with this, the female is testing the male's Course strength.
On the other hand, the male must fight the effects of the female's Course speed. Totally relax the PC muscle and the muscles of the lower body: avoid W.O.
Building on the concept of W.O., the female never desires to create an elevator. That would not be conscientious. She sets her resolve, if the male can't get through Bounce, then she takes him directly to S.O.
Finally, Bounce is a Course limit. Future courses are shaped by the success in this portion of the Course.
After the second bounce session the female dismounts. The male is allowed to decompress. The female's next sex position is the modified reverse mount. This position is similar to reverse cowgirl, but her legs are not straddling the male. Instead, she slides her legs under the male's upraised knees. She is facing away from the male, and his erection is bent toward her. The male's base (Zone 1) is bent, and this constricts the blood trapped in the penis. Also the female can better sense the tension in the man's legs. From this position she will administer her perfect closing act.
Continuing from the first sentence of the previous paragraph, and whatever the case may be, she only has about five seconds to get into the reverse mount. However, she does have these Course options:
- Rapidly move to the reverse mount.
- Begin a fluffing fellatio count, while her body travels toward the reverse mount.
- She places a loosely formed grip on Zone 3 (the foreskin), and rapidly tries to "toss him off". Then her body can travel to the reverse mount.
Both participants can realize this is a time sensitive situation. The entirety of their good work can be undone in a few fleeting moments.
The male pops his knees up to allow the female's feet to slide under. The female is in line with the male and facing away. She slides her feet under his upraised knees, and makes a "bird beak" with her thumb and forefinger. She applies her hand to spread her labia; the male grasps his base and presents his erection to her. She slides back on her haunches, and the male slides in. The female proceeds to "G" and her first compression count. She increases the tension to "Hard Rock".
She is searching for the male's limit to her actions. Namely, signs of heaviness and twinging. When she senses this Course limit she backs the male down (fluffing, zippa, basic Course deflect).
Her second compression count goes past the earlier Course limits of heaviness and twinging. In her current position, she can clearly feel the male's legs getting tight. She's searching for the point of no return. When she has found it, she rapidly dismounts and returns to a face to face mount.
She quickly mounts similar to the remounting text above. She reaches behind the male's head and pulls it forward. Her strokes become strong and the two bodies enter "Hard Rock". Only a few more strokes… One more…
She strokes past the point of no return and Bam! She opens Zone 3 and allows the male room to orgasm. His body begins to Rock! This is The Of Course S.O. or strong orgasm. Just look at how much effort went into it.
These are the secret moves that shape The Of Course. A stroke construct creates a consequence, then another stroke construct is implemented to take advantage of the resulting state. The female maintains pressure on the sexual compression cycle, and this leads to a logical conclusion—a very powerful orgasm at the end.
The next chapter spells out this course of action line by line. A master of these lines is a master of sexual compression.
The Course Complete
This section is laid out like a map. First, there is an aerial view, or a series of snapshots designed to implant the positions of the Course. Next, the terrain is traversed step by step and line by line. This leaves not doubt in what is expected to complete the first course.
Secretly, the participants are learning the hidden code of the male compression cycle. By utilizing the Course map, the male and female learn how to navigate subsequent courses. Soon, the lovemaking sessions mount up, and the participants master sexual compression.
In accordance with this, all great journeys begin with the first step…
Begin slide show:
Glimpse a vision of a naked woman and man lying in bed. They seem to be chit-chatting.
A supine male has a prone female on top of him. Her hips are rocking back and forth. She is pressing her genitals into his.
There is a vision of a female kneeling tightly between the legs of the reclined male. Her head is bobbing up and down.
The female is kneeling erect and preparing to lower herself onto the male's pelvis. Her hands are placed on his upraised knees. The male has presented his erection to her.
The female's breasts are viewed slack against the male's chest. She is using her arms and legs to force her bodyweight into the motion.
The female is motionless and rigid upon the male. The male seems to be resisting something.
In this photo, the female is smiling and enjoying sex. The reclined male is also enjoying himself.
The female has moved into an erect position. Her hands are on the male's upraised knees. There is an appearance she is moving fast. The male's brow has narrowed, and he seems to be fending something off.
This picture displays a dismounted female. She is beside the male and pushing her bodyweight onto her knees. She is moving to a new position.
The female is kneeling on all fours and facing away from the supine male. Her legs have slid under his. Her head is down and is looking between her legs. She is forcing her bodyweight into the motion.
The photo snaps a nimble move. The female is rotating on her right knee to face the male. It appears that she will place her other knee outside the male's leg.
The female has placed both hands behind the male's head and she is pulling him forward forcefully. Her chin is resting atop the male's head. The bodies are intertwined and tight. The male is under great strain.
The female has moved to one side of the male. Her hand is placed on the male's neck: she is checking his pulse. Also, she seems to be smiling.
View a woman slightly curled into the fetal position. She is watching the male intently. He is flat on his back, and appears satisfied.
This snapshot shows the male curled toward the female. His arm is across her body; she is on her back. His head is resting on her shoulder. Both look content.
With the visual representation implanted, each position is annotated. A male and female are lying in bed, and they are having a conversation. They have decided to make a special kind of love, The Of Course. The two are on their sides, face to face. The male moves his top knee toward the female's knee. She locks her top leg behind his top leg, and he rolls onto his back. She rolls atop the male.
She begins posting her genitals upon his, and the male is aroused. The female kisses the male and begins moving down. She desires to place her right knee inside her partner's leg; there, her weight pushes onto the knee. As her knee slides back, her face remains tight to the male's torso.
When her face reaches the male's pelvis, she moves her knees close together and positions her body between the male's legs. She grasps the male base (Zone 1) with thumb and forefinger and begins a fellatio compression count. Her sex strokes push down in a rhythmic fashion. The technique is called, "thumping the hump".
Whenever the male approaches heaviness, she backs her compression count down and switches to a softer technique: namely, fluffing or zippa. Now in control of the compression cycle, the female attempts to build a sturdy male hump (Zone 2). Again she compresses her work with the heaviest technique: "thumping the hump". After her motion has reached a pinnacle, she fluffs out her work.
Popping the top
Her work is not done until the male penis can withstand the strain of the Course. With manual dexterity, she applies two "OK signs" to the male's base (Zone 1). The top hand tightens the middle finger, the ring finger, the pinky finger. The desired effect is created. She fluffs out her work.
Once again she applies the tightening method. If she is satisfied with the male member, she proceeds to the mounting text.
The female will continue her next compression count from the mounted position. Therefore, she quickly moves to a tight kneeling position beside the male torso. Her down body knee travels across the male torso; she pivots ninety degrees on her weight bearing knee. Now facing the male, she kneels erect, and prepares to place her hands. The male raises his knees to receive her hands, and he grips his base to present his erection to her.
The female lowers her labia unto the penis head. She gently slides Zone 1 over the male's hump (Zone 2) and begins her first count compression count—"strip the bone".
The mini orgasm
Her action is forcing blood into the hump. Strip the bone is applied for no more than ten strokes. In due time, the top of the male penis requires attention. A great transition move can be inserted in the Course now, and that is "Scoop". If the female feels confident, the compound move can be used to bridge the gap between "strip the bone" and "G". Notwithstanding, "G" requires immediate attention, and Scoop can wait for later in the Course.
The female resets her vaginal tension to apply top-down pressure. She decreases her body angle and administers her compression count. The male is "held up" by "G" and Zone 3 (foreskin) is being stretched. Furthermore, the male must thrust harder through the tense spot.
The female bids him to thrust and so he does. She then increases the vaginal tension and judges her compression count. Both enter the stroke construct known as "Hard Rock". She is searching for the signs of heaviness and twinging. Three, two, one… one more, the female has found the male's mini-orgasm. She opens Zone 3 (the vaginal top) and waits, motionless. Her fingers are crossed hoping the male doesn't W.O.
After the male gently ripples his mini-orgasm, the female Zippas out the fluid. Her Zone 3 (vaginal top) tension soothes the foreskin on the exit stroke. Similar to the technique "popping the top", but her soothing tension is imposed top-down.
Between the hurdle of the mini-orgasm and the obstacle of "Bounce" is the main body of the Course. Put simply, this requires imagination and creativity. The female wishes to create an interesting and pleasurable course; the male wants to thrust and test the limits of sexual compression. That being said, both participants must maintain pressure at the top of the Course, or the male could rapidly decompress. This Course limit was warned about in the "strip the bone" text. Decompression is a devastating Course ender. Here are a few words of advice to avoid this Course limit:
- Keep the main body short.
- Don't apply compound moves until the participants "get it".
- Create moves that the other can anticipate.
- Stay on the heavy side of compression counts and with this,
- don't allow decompression counts to go too deep.
Therefore, a short good course is much better than a long bad one. In accordance with this, the text offers this short body text…
After Zippa, the female creates a compression count with "G". To signify the end of this compression count she "deflects". She then enters a quick decompression count. Her strokes are long and rhythmic. Also, her stroke length should be exacting in length (later known as Perfect strokes). She signifies the end of this short decompression with a few strokes of "strip the bone".
Again, she has an opportunity to practice "Scoop", but don't get hung up. Keep this compound move under control (only a few strokes). Scoop transitions into "G", and another compression count.
Sets of two
This is a fun technique that won't ruin a first course, and it is designed to teach stroke lead. The female thrusts "G" for two counts and gives up the stroke lead. The male gains the lead and strokes twice, and then the female takes over, and so forth. Remember, stroke lead changes in Bounce as well, so this is a good place to practice.
Tickle the chin
These quick switches must end some place, so the female takes over the lead and transitions to a soft technique—"Tickle the chin". She then increases her tension to "twist the cap".
Wrap it up
In the best Course advice the female should start her last main body compression count now. With her lead established, she proceeds to "G" and "Hard Rock". She then gives up the lead and allows the male to approach "heaviness". When the male hump is solid, she goes vertical.
The female will now impose another Course limit upon the male—stroke speed. She starts with a slower rhythmic decompression count. Then she gains speed. At speeds greater than two, she begins to bounce. She also releases vaginal tension so the male can reach maximum speed without signs of W.O. (heaviness, twinging, and the point of no return). When the male begins to tire, the female gives up the lead. The male strokes rapidly for about ten strokes, and then he decompresses. The female gently strokes at speed one. A back and forth basic Course deflect can be inserted here now.
When the male has regained his sexual prowess the two "Bounce" again. She is attempting to tire the male and impose her Course limit. After this is completed to her satisfaction, she dismounts and proceeds to the finishing text.
For the first course, the female should control the dismounted time intervals by moving rapidly. There are other ways, but time sensitivity is a good way to calibrate the Course. Whenever possible try not to crawl or scamper. Instead, push the bodyweight like the knees have roller-skates attached. This gives the subtle impression that the female has disappeared and has reappeared in a new position.
The female dismounts to the side of the male, and she slides down the side of the male body. She pivots on her inside knee and rotates to face away from the male. She repositions her knees and slides her lower legs under the male's upraised legs (the modified reverse mount). The male presents his erection to her and the female spread her labia. She remounts and proceeds to a compression count.
The participants create a strong rhythmic compression count and stop a few counts before heavy. The female fluffs out the work. The two start another compression count and the timing is critical. The female adeptly strokes one count past the point of no return, and dismounts immediately. She can remain in the reverse mount, but she definitely wants to see what will happen with her own eyes.
The next part of the text is more time sensitive than before. Furthermore, if these next lines are not executed properly the female will give the impression of scampering. Therefore the instructions are in a list of items:
- Dismount and clear the right knee.
- Pivot 180° on that knee.
- Travel the outside leg as far up the torso as possible, and
- reposition the pivot knee across the torso.
- Position the hands to slide both knees into mounting position.
- Reach between the legs and mount the male.
This is quick and efficient, but be mindful, try not to scamper.
The male is throbbing and the female must execute one final compression count. To add force to her actions she places both hands behind the male's head and draws him forward. Her chin rests atop his head. She executes her powerful "G" maneuver and her energy presses down into the hump.
Just a few more counts…
She can sense she has him and she keeps stroking…
Bam! The male's body begins to rock. The female opens Zone 3 so the male can orgasm. This is The Of Course S.O. and line by line instructions on how to achieve it.
The Course in not yet complete: the female seeks to isolate the male. She dismounts and moves to one side. Both participants should say nothing. The female permits herself one touch: she lightly places the first two fingers of her hand on the male's neck. His thyroid should be throbbing and pulse racing. She slowly removes her hand.
The female curls her body toward the male but keeps her distance. She's watching him intently. Allow him time and room to enjoy the orgasm that was created together. Soon the isolation will cause him to act: he will move toward the post coital hug.
The female receives his head to her shoulder, and his arm embraces her body. The two begin the most important part of the emotional bond.
The time interval for the post coital hug is variable. However, a good rule of thumb is: about fifty percent of the duration of the Course. After this time, say good words, caress each other, and kiss.
There are rules for the emotional bond that develops after a course or series of courses. Most lovers are honest, but then again, some are not. The reader of these lines is now in possession of a powerful weapon. Final Course Thoughts deals with two Course aficionados: one is honest, but the other is not.
Final Course Thoughts
In 1782 a scandalous book was published in France. It is said that Queen Marie Antoinette ordered a special blank cover copy so as to hide the title and author's name. The famous literary work is called les liaisons dangereuses by Pierre Ambroise François Choderlos de Laclos. 3
The story centers upon a sadistic game played by Marquise de Merteuil and her willing male accomplice, Vicomte de Valmont. Merteuil's wrath stems from an ex-lover who left her abruptly, and…
"no one has ever done that before." 4
Therefore, she has attracted Vicomte de Valmont, and his formidable sexual skills, to pursue the ex-lover's bride to be. The bride-to-be is a virgin, Cecile de Volanges.
To this, Valmont objects on the grounds that he has his reputation to think of. Cecile is far too easy…
"She will be on her back before you unwrap the first bunch of roses." 5
In substitution, Valmont proposes a happily married woman, Madame de Tourvel. She would be a true test of his sexual skills.
The satisfaction for this cruel game—The Valmont will receive one night in bed from the powerful Marquise.
In 1988, talented screen actors would bring the scandalous French book to the screen. Dangerous Liaisons won Christopher Hampton the academy award for best screenplay. 6
Soon The Of Course will create a master of sexual compression. However, this won't be true of sex opponents that have no Course influence. Therein lies the imbalance.
In a time when women are chaste, the Valmont triumphs over the sexually constricted. Likewise, the Course aficionado can toy with their opponent until more rounded feelings develop. When the feelings of attachment do arise, the master controls all avenues of escape.
The text would be naïve to state that advanced Course members won't try to gain an unfair advantage over the unskilled. Notwithstanding, the Course presents a valuable opportunity to create powerful lasting memories. The learned can guide the Course novice through the difficulties within the Course structure. Also, there is a chance to be nonjudgmental, a brilliant Course attribute. Being a good nonjudgmental teacher flows directly into the next Course concept.
The negative space
Masters of the art world wrestle with empty spaces. The way the artist deals with negative space is often the difference between success and failure. In the cited work, for example, the Valmont totally controls the unknown variables within the sex environment.
That being said, allow the text to advance ten courses into the future. At course ten, the novice has not only gained the experience of ten courses, but also the negative space within the master's courses. Therefore, the Course novice finds the master very attractive.
The compound move called "Scoop" was created by a female aficionado. She changed the "negative space" in her course and added "strip the bone" to "G" during the same stroke cycle. Consequently, the move has perpetuated into this work.
The negative space in the author's course has been shaped by powerful Course females. Without them, The Of Course would not exist.
The first aficionado
Cardinal Richelieu paid fifty thousand crowns for one night in her bed. She is, quite possibly, the greatest female lover to live on the planet earth. Ninon de l'Enclos lived in a time of strict moral behavior; nevertheless, she vowed to live independently and never marry. October 17th, 1705 she died a very rich woman.
Ninon was the most famous courtesan of her time. Her salon, l'hôtel Sagonne, received many rich and influential men from French society. They would pay just for the opportunity to sleep with her. The system she devised is recorded in Robert Greene's 48 Laws of Power (p. 256-258). 7
She divided her men into two groups: payeurs and martyrs. The second of the two groups were men with whom she refused sex. Instead, these martyrs were obliged to visit for conversation only. Occasionally, she would select from this group a favori, a favorite. For a short time, usually less than three weeks, she would unravel her lovemaking and devote herself completely to him. After the affair was over she would never sleep with the man again.
Ninon has appropriately defined two roles within lovemaking. The first is as mechanical as a learned course of action, perfunctory. This requires no emotional investment. The second is more difficult, and in her words:
"Much more genius is needed to make love than to command armies."
In the hands of a skilled tactician, like Ninon or the Valmont, The Of Course is a formidable weapon. However, only a true aficionado gives themselves totally to their lover. This makes Ninon the first, true aficionado.
Whatever the reasons for acquiring this course, don't fall short. Find the true meaning within these lines. Put pressure on the course created with others and the reward will be great. Pull back, or have evil intent, then there is always a penalty.
Tantamount, investing in oneself is not selfish. Ninon chose a favori for her own emotional well being. This power resided within her and she easily passed it on to others. To be as strong as Ninon, an aficionado must adopt a similar code.
Albeit perilous, a total commitment to another is the only answer. No matter what happens, the significant other realizes the investment was one hundred percent. Because of this, the emotional well being lasts a lifetime.
So then, does Choderlos de Laclos understand this important sex secret? Returning to the play, the Valmont is incensed that the mother of Cecile has sullied his reputation to Madame Tourvel. He decides to go along with Merteuil's original plan. Valmont is successful in taking Cecile's virginity. His second triumph of the play is at the expense of Madame Tourvel. With success under his belt, he returns to Merteuil to negotiate his night in bed.
The Marquise refuses on the grounds that Valmont has broken the rules: he has made Madame Tourvel happy. To this, Merteuil orders Valmont to break with Madame Tourvel abruptly. Valmont concedes, and does just that.
He returns to the Marquise again to negotiate, but Merteuil flatly reneges on the deal. According to Christopher Hampton, one word is placed in the text… 8
The aficionado Valmont has decided upon the ultimate sacrifice, and to do so, he picks a fight with Chevalier Danceny—a young beau of Cecile de Volanges.
Death to Valmont
The story has a tragic end for the participants involved. Valmont loses his duel with Danceny. Although culpable, he presents his letters from Merteuil. Valmont dies from his wound, and the powerful Marquise is brought down by the scandal that ensues. Only a Frenchmen could write such an extraordinary tale of sex, lies, and disaster. Bravo Pierre!
Sex is competitive, that's why The Of Course is so popular. An aficionado like Valmont can be a sexual wrecking ball. He leaves a wake of disparaged lovers behind. He's down-right sociopathic.
On the other hand, Ninon de l'Enclos is a good aficionado. She literally has the power to change the lives of the men she meets. She never compromised, lived independently, and transformed her world.
This chapter exists to give the aficionado two paths. The author hopes Ninon's path is the one that is selected.
Thank you for reading, I'm Colden Thorne, and of course, good luck in your Course!
Bibliography and Selected Reading
1-Mihaly Csikszentmihalyi. Flow: The Psychology of Optimal Experience. New York: HarperCollins, March 13, 1991. Print.
2-Margo Anand. The Art of Sexual Ecstasy: the path of sacred sexuality for Western lovers. Los Angeles: J.P. Tarcher, December 1, 1990. 177-178 & 183. Print.
3-Pierre Ambroise François Choderlos de Laclos. Les liaisons dangereuses. New York: Penguin, 1961. Print.
4-Christopher Hampton. Dangerous Liaisons: The film: a Screenplay. London: Faber&Faber, Incorporated, 1989. 5. Print.
5-Christopher Hampton. Dangerous Liaisons: The film: a Screenplay. London: Faber&Faber, Incorporated, 1989. 7. Print.
6-Christopher Hampton. Dangerous Liaisons: The film: a Screenplay. London: Faber&Faber, Incorporated, 1989. Print.
7-Robert Greene. 48 Laws of Power. New York: Penguin, 2000. 256-258. Print.
8-Christopher Hampton. Dangerous Liaisons: The film: a Screenplay. London: Faber&Faber, Incorporated, 1989. 70. Print.
9-Barbara Keesling. Super Sexual Orgasm. New York: HarperColins, August 22, 1997. 80. Print.