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Best Sex Ever:  Like a drummer in a rock'n'roll band

series:  Best Sex Ever  ::  author:  Colden Thorne  ::  date:  October 12th, 2013  ::  home
Neil-Peart
The drummer's responsibility is to set the rhythm for the band.
Likewise the Course practitioner will set a tempo and rhythm for their Course.  When both participants fall into this rhythm, magic happens.
In the last article the author challenged the course initiate to have sex like a porn star.  There, the sex skill to be mastered was stroke length.  Clearly stated, the difference between a course novice and aficionado is the exacting nature of their sex strokes.  These "Perfect strokes" can be shaped even further, and we will do that now.

Stroke rhythm places the sex artist on an elevated plane, and it starts with the simple act of counting.  First, the game begins by counting off ten perfect strokes.  Since the count and the strokes are equal distance a rhythm develops.

Second, pretend the count no longer exists, but the time traveled is on a long highway with posts beside the road.  To mark these posts, the female uses a soft "G" to create a new stroke rhythm.  Let’s explain this exactly:  one, two, three, four, five, six, seven, eight, nine, soft "G", one, two, three, four, five, (the text can stop counting now).  Nine, soft "G".  Seriously, I can stop counting any time, seven, eight, nine, soft "G". Underneath the text the count is still going and a post is going to show up, soft "G".

Stop counting.

Like a drummer in a rock’n’roll band rhythm counts, and now the text shrinks the previous count to four.  The male will assist the female in the count by creating a perfect four count rhythm.  On the third beat, the female will execute her soft "G" maneuver.  His count is four; her count is precisely on three.  The text spells this out exactly again, one, two, (soft G), four, one, two, (soft G), four, and so forth.  This is a perfect rhythm.

In this sense, the female can expand or reduce the rhythm of her movements.  Essentially, she is not held to the third count in the four stroke meter.  She may expand her soft "G" to the sixth stroke or every other fourth stroke.

In any event, counting may not be necessary if both participants have rhythm.  However, some of us don’t have very good rhythm, and in that case:  one, two, three, four, one, two, three, four.

Soon the count will fade away, and the next stroke will be anticipated.  That’s just being a conscientious lover and a true aficionado.  Your partner will learn your negative space and your rhythm will become theirs.

I am Colden Thorne, your course master, and you have just learned one of the most important things about my advanced course—stroke rhythm.

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